On Hosukawa
On the Interpretation of "Vertical Song 1"
On Kourliandski
On the Interpretation of "Falsa Lectio l"
On Sciarrino
On Counterpoint in Sciarrino's L'Opera per flauto
On Takemitsu
Notes on Takemitsu and the Concept of Ma
Salvatore Sciarinno
Venere che la grazie la fioriscono,
Salvatore Sciarrino
Malin Bång
Brian Ferneyhough
Kho-Lo,
Giacinto Scelsi
As a performer, I am fascinated by sound. I would applaud a composer setting squirrels loose in a grand piano! Like John Cage using nails and wires and stones to transform sound. I am drawn to the materiality of sounds, their unique textures and resonances, and I've devoted many hours exploring extended techniques on the flute in order to produce very particular sounds. The mesmerizing percussive techniques of Sciarrino, the brushstrokes and palpable silences of Takemitsu, the oscillating microtones of Stockhausen.
My current musical passion is Irish music, which offers its own fascinating technical challeneges--the unique timbre and rhythms of Irish music demand a wholly set of ways to create sound!
Winner of the National Flute Symposium in West Virginia (2013)
Gaithersberg Young Artists Competition (2013)